and the sounds etc create the tension, and the music plays from that. Just as in the original there is less music. My early conversations with the designers of the game is to not over play the score. (HM) I know it will definitely be tied to the game.
Will this technique be utilized in the game and do you know if it will be tied to the Fear Meter that has been discussed for game-play? ( F13th) During the original Friday The 13th film, you used the "Ki Ki Ki Ma Ma Ma" sound effect to signify the killer was near, much like John Williams used his famous sound in Jaws to tell the audience that the shark was near. Basically every time you play the game, you will have different scores determined by your actions. will be one of the players, and he will have his own score. Player one, will have a different score than Player two. The players in one game will each have their own score for that game, and that game only. So I have to eventually think of as many possible scenarios, and have multiple musical choices for each of them. Because it is a multi-player game, and because music has to apply to any possible scenario which can only be determined by the actions of the player, the "score" is actually determined by the choices of the player not by me. I am just dealing with more general ambiances and materials that will be part of the large over all sound. (HM) Actually in the very beginning stages, since so much of what is needed is also in a state of flux. ( F13th) How far into the process are you for scoring the Friday The 13th video game now and what are the similarities/differences in cues and sound design compared to what you had created for Summer Camp?
The score could not only emulate, but actually be extensions and variations of all the music that was so much a part of the series. So now, with the F13 brand, and with Jason in the mix. I knew there was a F13 game in the works, and was thinking that our little game would be basically over shadowed by the actual F13 game. (HM) Well, very excited to say the least. ( F13th) How excited were you when you found out this project was going to be an official Friday The 13th game and what were your immediate thoughts of how you were going to score this epic endeavor? It really was supposed to be more or less of a homage to those films. (Harry Manfredini) At that time it was very much in the early stages, but I believe the object was to make it sound as much like F13 as possible without actually doing that. What approach to the music were you originally taking to this game, knowing it was a slasher, but making sure to not have it sound too much like Friday The 13th? ( Friday The 13th: The Franchise) When you were originally brought on to this project, it was known as Slasher Vol. He also discusses the challenges of scoring a video game as opposed to a film and if we will hear those classic cues from our favorite moments in the films. Harry talks about what players can expect to hear as the counselors in the game as well as Jason Voorhees himself. I recently reached out to franchise composer Harry Manfredini to talk about his involvement in the game and what fans can expect to hear from this highly anticipated project. The excitement for Friday The 13th: The Game is at a fever pitch with fans clamoring to find out as much as they can about what to expect to see in the game.
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